4, November 2024
Quincy Jones, music legend who worked with Michael Jackson dies at 91 0
Quincy Jones, the multi-talented music titan whose vast legacy ranged from producing Michael Jackson’s historic “Thriller” album to writing prize-winning film and television scores and collaborating with Frank Sinatra, Ray Charles and hundreds of other recording artists, has died at 91.
Jones’ publicist, Arnold Robinson, says he died Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family. Jones was to have received an honorary Academy Award later this month.
“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”
Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first Black executives to thrive in Hollywood and amassing an extraordinary musical catalog that includes some of the richest moments of American rhythm and song. For years, it was unlikely to find a music lover who did not own at least one record with his name on it, or a leader in the entertainment industry and beyond who did not have some connection to him.
Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders. He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the Night,” organized President Bill Clinton’s first inaugural celebration and oversaw the all-star recording of “We Are the World,” the 1985 charity record for famine relief in Africa.
Lionel Richie, who co-wrote “We Are the World” and was among the featured singers, would call Jones “the master orchestrator.”
In a career which began when records were still played on platters turning at 78 rpm, top honors likely go to his productions with Jackson: “Off the Wall,” “Thriller” and “Bad” were albums near-universal in their style and appeal. Jones’ versatility and imagination helped set off the explosive talents of Jackson as he transformed from child star to the “King of Pop.” On such classic tracks as “Billie Jean” and “Don’t Stop ‘Til You Get Enough,” Jones and Jackson fashioned a global soundscape out of disco, funk, rock, pop, R&B and jazz and African chants. For “Thriller,” some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-fusing “Beat It” and brought in Vincent Price for a ghoulish voiceover on the title track.
“Thriller” sold more than 20 million copies in 1983 alone and has contended with the Eagles’ “Greatest Hits 1971-1975” among others as the best-selling album of all time.
“If an album doesn’t do well, everyone says ‘it was the producers fault’; so if it does well, it should be your ‘fault,’ too,” Jones said in an interview with the Library of Congress in 2016. “The tracks don’t just all of a sudden appear. The producer has to have the skill, experience and ability to guide the vision to completion.”
The list of his honors and awards fills 18 pages in his 2001 autobiography “Q”, including 27 Grammys at the time (now 28), an honorary Academy Award (now two) and an Emmy for “Roots.” He also received France’s Legion d’Honneur, the Rudolph Valentino Award from the Republic of Italy and a Kennedy Center tribute for his contributions to American culture. He was the subject of a 1990 documentary, “Listen Up: The Lives of Quincy Jones” and a 2018 film by daughter Rashida Jones. His memoir made him a best-selling author.
Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember. But he looked back sadly on his childhood, once telling Oprah Winfrey that “There are two kinds of people: those who have nurturing parents or caretakers, and those who don’t. Nothing’s in between.” Jones’ mother suffered from emotional problems and was eventually institutionalized, a loss that made the world seem “senseless” for Quincy. He spent much of his time in Chicago on the streets, with gangs, stealing and fighting.
“They nailed my hand to a fence with a switchblade, man,” he told the AP in 2018, showing a scar from his childhood.
Music saved him. As a boy, he learned that a Chicago neighbor owned a piano and he soon played it constantly himself. His father moved to Washington state when Quincy was 10 and his world changed at a neighborhood recreation center. Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.
“I went up there, paused, stared, and then tinkled on it for a moment,” he wrote in his autobiography. “That’s where I began to find peace. I was 11. I knew this was it for me. Forever.”
Within a few years he was playing trumpet and befriending a young blind musician named Ray Charles, who became a lifelong friend. He was gifted enough to win a scholarship at the Berklee College of Music in Boston, but dropped out when Hampton invited him to tour with his band. Jones went on to work as a freelance composer, conductor, arranger and producer. As a teen, he backed Billie Holiday. By his mid-20s, he was touring with his own band.
“We had the best jazz band on the planet, and yet we were literally starving,” Jones later told Musician magazine. “That’s when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two.”
As a music executive, he overcame racial barriers by becoming a vice president at Mercury Records in the early ’60s. In 1971, he became the first Black musical director for the Academy Awards ceremony. The first movie he produced, “The Color Purple,” received 11 Oscar nominations in 1986. (But, to his great disappointment, no wins). In a partnership with Time Warner, he created Quincy Jones Entertainment, which included the pop-culture magazine Vibe and Qwest Broadcasting. The company was sold for $270 million in 1999.
“My philosophy as a businessman has always come from the same roots as my personal credo: take talented people on their own terms and treat them fairly and with respect, no matter who they are or where they come from,” Jones wrote in his autobiography.
He was at ease with virtually every form of American music, whether setting Sinatra’s “Fly Me to the Moon” to a punchy, swinging rhythm and wistful flute or opening his production of Charles’ soulful “In the Heat of the Night” with a lusty tenor sax solo. He worked with jazz giants (Dizzy Gillespie, Duke Ellington), rappers (Snoop Dogg, LL Cool J), crooners (Sinatra, Tony Bennett), pop singers (Lesley Gore) and rhythm and blues stars (Chaka Khan, Queen Latifah).
On “We are the World” alone, performers included Michael Jackson, Bob Dylan, Billy Joel, Stevie Wonder and Bruce Springsteen. He co-wrote hits for Jackson – “P.Y.T (Pretty Young Thing” – and Donna Summer – “Love Is in Control (Finger on the Trigger) – and had songs sampled by Tupac Shakur, Kanye West and other rappers. He even composed the theme song for the sitcom “Sanford and Son.”
Jones was a facilitator and maker of the stars. He gave Will Smith a key break in the hit TV show “The Fresh Prince of Bel-Air,” which Jones produced, and through “The Color Purple” he introduced Winfrey and Whoopi Goldberg to filmgoers. Starting in the 1960s, he composed more than 35 film scores, including for “The Pawnbroker,” “In the Heat of the Night” and “In Cold Blood.”
He called scoring “a multifaceted process, an abstract combination of science and soul.”
Jones’ work on the soundtrack for “The Wiz” led to his partnership with Jackson, who starred in the 1978 movie. In an essay published in Time magazine after Jackson’s death, in 2009, Jones remembered that the singer kept slips of paper on him that contained thoughts by famous thinkers. When Jones asked about the origins of one passage, Jackson answered “Socrates,” but pronounced it “SO-crayts.” Jones corrected him, “Michael, it’s SOCK-ra-tees.”
“And the look he gave me then, it just prompted me to say, because I’d been impressed by all the things I saw in him during the rehearsal process, ‘I would love to take a shot at producing your album,’” Jones recalled. “And he went back and told the people at Epic Records, and they said, `No way — Quincy’s too jazzy.’ Michael was persistent, and he and his managers went back and said, `Quincy’s producing the album.’ And we proceeded to make ‘Off the Wall.’ Ironically, that was one of the biggest Black-selling albums at the time, and that album saved all the jobs of the people saying I was the wrong guy. That’s the way it works.”
Tensions emerged after Jackson’s death. In 2013, Jones sued Jackson’s estate, claiming he was owed millions in royalties and production fees on some of the superstar’s greatest hits. In a 2018 interview with New York magazine, he called Jackson “as Machiavellian as they come” and alleged that he lifted material from others.
Jones was hooked on work and play, and at times suffered for it. He nearly died from a brain aneurysm in 1974 and became deeply depressed in the 1980s after “The Color Purple” was snubbed by Academy Awards voters; he never received a competitive Oscar. A father of seven children by five mothers, Jones described himself as a “dog” who had countless lovers around the world. He was married three times, his wives including the actor Peggy Lipton.
“To me, loving a woman is one of the most natural, blissful, life-enhancing — and dare I say, religious — acts in the world,” he wrote.
Along with Rashida, Jones is survived by daughters Jolie Jones Levine, Rachel Jones, Martina Jones, Kidada Jones and Kenya Kinski-Jones; son Quincy Jones III; brother Richard Jones and sisters Theresa Frank and Margie Jay.
He was not an activist in his early years, but changed after attending the 1968 funeral of the Rev. Martin Luther King Jr. and later befriending the Rev. Jesse Jackson. Jones was dedicated to philanthropy, saying “the best and only useful aspect of fame and celebrity is having a platform to help others.”
His causes included fighting HIV and AIDS, educating children and providing for the poor around the world. He founded the Quincy Jones Listen Up! Foundation to connect young people with music, culture and technology, and said he was driven throughout his life “by a spirit of adventure and a criminal level of optimism.”
“Life is like a dream, the Spanish poet and philosopher Federico Garcia Lorca said,” Jones wrote in his memoir. “Mine’s been in Technicolor, with full Dolby sound through THX amplification before they knew what these systems were.”
(AP)
19, November 2024
Yaoundé: CONAC flags corruption, production of fake certificates as most worrying issues 0
Cameroon’s National Anti-Corruption Commission (CONAC) has flagged corruption and the production of fake certificates as two of the most worrying issues plaguing the country’s higher education system.
At a campaign at the University of Yaoundé II to educate and sensitise the university population on the consequences of the production and use of fake certificates in Cameroon and abroad on 5 November 2024, the chairman of CONAC, the Reverend Dr Dieudonné Massi Gams, underscored the dangers of corrupt practices and falsification of certificates. This has become endemic in higher education institutions in the country, actions not compatible with head of state President Paul Biya’s policy to promote good governance as pathways towards economic emergence by 2035.
“The university should be a place to promote academic excellence as recommended by the Head of State, Paul Biya, and not academic forgery,” Massi Gams said at the University of Yaoundé II campaign.
The campaign to fight against fake certificates and corruption in universities for the 2024-25 academic year which started on 25 October 2024 at the University of Yaoundé I, comes against the backdrop of reports of several cases of graduates falsifying certificates to secure employment in both public and private institutions as well as access to post-graduate studies at foreign universities, Massi Gams said.
“We have received several complaints from the ministry of higher education and directly from foreign universities about applicants from Cameroon with falsified transcripts, a practice that tarnishes the image of the country’s higher education system,” he noted.
Students, staff sensitised
The campaign, carried out in collaboration with the ministry of higher education, he said, targets students of higher education institutions where recruitment for various enterprises is focused, as well as the entire university community.
The campaign at both University of Yaoundé I and Yaoundé II was characterised by words of advice from the CONAC team, and messages to students and staff about the implications of using fake certificates. Examples of fake certificates were placed on billboards around the campus.
Anti-corruption billboards bearing the campaign message are planted in strategic corners of the university campuses as well as on stickers stuck on vehicles of staff and some students. The campaign will be extended to all public higher education institutions in the country as well as private universities, CONAC authorities said.
Experts said it was imperative that corruption is fought at universities in Africa in their capacity as institutions of higher education that touch the lives of future leaders, and as large organisations with substantial economic footprints.
Students welcome chance to talk
“The fight against corruption in Africa, in general, and Cameroon, in particular, should start with the training system of our future leaders. That is why the campaign against fake certificates and corruption in higher education institutions in Cameroon is very strategic,” Dr Nick Ngwanyam, director and CEO of the St Louis University Institute of Health and Biomedical Sciences, Cameroon, told University World News.
Students have also saluted the initiative which, they say, helps to bring university authorities out of their silos to openly discuss even taboo subjects like sexual harassment for marks.
“The campaign on campus was very educative and provided a rare opportunity for students and university authorities to discuss even some taboo subjects like sexual harassment,” Victoria Ebage, a law student at the University of Yaoundé II, told University World News.
Cameroon’s 2023 anti-corruption status report released in September 2024 shows that, like in other sectors, bribery and corruption have been rampant in higher education – regarding admitting candidates at public professional institutes. Merit hardly plays a role, which has opened the doors to mediocrity.
The report says that, generally, the State of Cameroon lost over CFA114 billion (approximately US$184 million) to corruption in 2023 which represents an increase of CFA109.4 billion compared to 2022.
‘Favours’ undermine credibility
Other sectors where corruption is on the rise include transport, secondary education, territorial administration, finance, telecommunication, and public works, according to the report. The 2023 report is divided into four parts, with part one focusing on measures to prevent corruption, part two on sanctions, part three on the fight against money-laundering and recovery of assets derived from corruption, and part four, on cooperation – at both local and international levels – in the fight against corruption.
The report says higher education institutions have been plagued by sexual harassment and favours for better grades. The widespread practice has severely undermined the credibility of the merit-based system. Experts have sounded the alarm that such deviant practices could hamstring the broader efforts by the government to foster quality education at higher education level. “It is difficult to obtain quality results in our universities under such circumstances,” Ngwanyam said.
Massi Gams called on students to strive for excellence and uphold integrity. He challenged them to lead in the fight against corruption in the country to guarantee a better future. “As future leaders, you are expected to shine the flag, set the example for a brighter tomorrow,” he said.
In similar message to students, the Rector of the University of Yaoundé I, Professor Remy Magloire Dieudonné Etoua, warned against the adulteration of results transcripts and birth certificates. He urged students and staff to guard against the practice, which is not only punishable by Cameroonian law, but also a deterrent to professional and intellectual development in Cameroon.
Backdoor payments common
“We have had cases of students changing marks on their results transcripts and ages on their birth certificates to gain access into professional schools for employment into the public services. These are criminal acts punishable by law,” Etoua said at the University of Yaoundé I launch.
There has been a public backlash against prevailing corruption with impunity in the country’s higher education system, especially access to higher professional institutions. On 13 August 2024, CamerounWeb reported about backdoor payments of as high as CFA30 million (about US$48,265) to gain admission into the National School of Administration and Magistracy, or ENAM, the higher education institution that trains senior administrators, magistrates and finance experts in the country.
The prevailing corruption in the admission of students to prestigious higher professional schools in the country has eroded public confidence in the higher education system, experts say. “The public has virtually lost confidence in our higher education system because corruption has taken virtually all the professional higher training institutions hostage. The power of the wallet has taken over the place of merit,” Etoua told University World News.
Culled from University World News